theralsilca: Naqada

The Silent Sound the Savior

akhenaten 8/24/2569

The Enigma of the Silent Sound the Savior

This symbol appears on statues of Isis a nude statue of a boy and his mother seated on a lotus with fingers in their mouths and other figures in ancient Egyptian sculpture. First recorded in the Amarna period the concept of salvation identified as Horus can also be described as a young prince who slays snakes lions and crocodiles. Horus is also described as the one in the heavens.

The Philae Temple is located on Agilkia Island near Aswan Egypt. This ancient Ptolemaic temple was built in dedication to the Goddess Isis.

In Coptic and Ptolemaic art this ancient Egyptian symbol represents protection mercy and the divine power of the Egyptian gods. Its significance in the early Egyptian mythology remains unexplained to this day. The belief in the benevolent Horus is associated with the reappearance of the moon with its right eye representing the sun. Horus is depicted as a large winged falcon its right eye representing the sun and its left eye representing the moon.

The Silent Sound the Savior

In the Greek-Roman era beginning with the all-seeing eye it appeared on early amulets. Often depicted in the form of the Eye of Horus ornaments crafted from lapis lazuli and carnelian and gold were believed to protect the pharaoh in Egypt in reference to the belief in the journey to the afterlife. Horus Harpocrates represented by a young man with hair styled like the god Khonsou combined with an elaborate crown of the gods created a unified Egyptian image during the Ptolemaic dynasty a symbol of faith.

A bronze sculpture of the goddess Isis breastfeeding and cradling the young god Horus reflects the ancient Egyptian belief in maternal protection and fertility.

The first light of the sun and sunrise Vedjat the god protecting the eye of the sun beginning with the eye that sees everything. Harpocrates is depicted as a lotus beneath the body of the child Horus under his mother the goddess Isis and Vedjat the crown of Upper and Lower Egypt with the god Bes representing power protection and good health. Surrounded by early hieroglyphs it becomes the creative and restorative power of Horus derived from the watchful eye of Isis. In later periods the slaying of young Horus by Seth became a symbol of faith. Interpreted as a retaliation against evil in the symbolism of Harpocrates in the 2nd to 3rd centuries AD it was adapted in Roman symbolism blending protective power with Greek Ptolemaic faith.

A stone sculpture of an falcon representing the god Horus the god of the sky stands in front of the Abu Simbel temple complex in Egypt.

The sound of silence the savior in its form of protecting the land of the gods in the earliest times is still evident today. One eye depicts the vulture goddess Necbet and to the right is the serpent goddess symbolizing the power of the Egyptian gods of Upper and Lower Egypt. It is found on bronze statues jewelry pottery or clay coins depicted as a naked or robed boy with his right finger raised to his mouth a symbol of peace signifying the mystical meaning of ancient Egyptian mythology.

The Journey of the God's Boat

akhenaten 8/24/2569

The Journey of the God's Boat

A sacred journey represented by the boat of Ra the sun god used to sail across the sky during the day and through the underworld at night as well as the ferry that carried souls to the afterlife in ancient Egyptian legend. A powerful symbol of eternal life including the legend of guiding the resurrection of Osiris using the boat of Osiris called the Neshmet to the realm of the dead among the stars.

Ra's solar boat a journey among the stars a path to the Temple of the Valley. It appears in bas-reliefs inside temples depicting ritual boats in ancient Egyptian ceremonies. Wooden boats similar to those used to carry the statue of the god Horus in ancient times were barges and placed in what were called "boat quarters" wide flat areas with elaborate structures used to carry statues or objects of ritual importance from one temple to another much like Ushabati placed small sarcophagi on the deck of a boat.

The journey to the temple and the resurrection could ignite hope for eternal life in the hearts of believers a symbol of protection and guidance helping the dead on their spiritual path sailing up the Nile River during the festivals of Osiris Abydos and the departure from the temple. The journey to the tomb the death and resurrection of Osiris in ancient Egyptian mythology the boats representing the passage to the afterlife. In papyrus depictions boats are often shown in crescent shapes. The sacred boats used in tombs include

The Altar and Barque of Horus In the center of the room is a stone pedestal Naos and a sacred ceremonial boat carved from granite.

The Boats of the Gods of Thebes

In the ancient kingdom it was believed that Pharaoh Khufu was buried with the enigmatic boats or the "Theban Triad" the boats of the gods of Thebes. The most elaborate sacred boats were built during the reign of Hatshepsut the boats of Amun Mut and Khonsu which can be seen in bas-reliefs in the Ancient Kingdom during the Festival of the Valley to transport the statues of the gods between the Karnak and Luxor temples. Each sacred boat has its own unique characteristics along with the largest and most important boat the Boat of Amun whose bow and stern are adorned with the heads of rams Amun's sacred animal. In the center is a resplendent golden shrine covered with silk to enshrine the statue of Amun.

The Boat of Khonsu the boat of the gods of Thebes. These were used in grand religious processions such as the Opet Festival and the Festival of the Valley commemorating the journey between the Karnak and Luxor Temples. The ship represents the son and god of the moon with its bow and stern adorned with falcon heads along with crescent moon symbols and solar discs. The ship also represents the motherhood of gods and Pharaoh the wife of Amun with its bow and stern decorated with female heads wearing the twin crowns of ancient Egyptian gods.

The Mystery of the Obelisk

ARCHIVE 8/04/2569

The Mystery of the Obelisk

Ancient Egyptian obelisks are tall tapering structures made of sandstone or granite. Their surfaces are inscribed with hieroglyphs depicting stories of gods and pharaohs. These types of obelisks were often erected in honor of gods such as Amun and are frequently found at the Karnak Temple or Luxor Temple in Egypt. Hatshepsut's Obelisk made of red granite is located at the Karnak Temple in Egypt. The bas-relief carving at the top of the obelisk depicts Pharaoh Hatshepsut in male royal attire performing a ceremony with the god Amun crowning her.

The Obelisk of Theodosius an ancient Egyptian stone pillar is located in Sultanahmet Square also known as the Hippodrome in Istanbul. It was erected for Pharaoh Tutmose III in the 15th century BC.

Thutmose III of ancient Egypt the sixth pharaoh of the 18th Dynasty is revered as... Known as the "Napoleon of Egypt" for his outstanding military prowess and extensive empire expansion the Obelisk of Theodosius stands in Sultanahmet Square in Istanbul Turkey. Originally constructed in the 15th century BC for Pharaoh Tutmose III at the Karnak Temple in Egypt it was later moved to Constantinople. The pink granite column is inscribed with delicate and relatively well-preserved hieroglyphs.

The Luxor Obelisk located in Place de la Concorde in Paris France is an ancient granite obelisk over 3,300 years old

which was moved from the Luxor Temple in Egypt.

The enigma of the ancient Egyptians is how they dragged massive square pointed stone pillars across the Nile River and erected them in front of various temples without machinery. The techniques of quarrying hard granite with copper tools moving pillars weighing hundreds of tons the ancient stone cutting process using wedges and dripping water a truly amazing transportation method and the stories and praises of the gods especially the sun god Ra all contribute to the mystery of these unfinished pillars.

"Tekhen" or obelisk represents light and prosperity and was used to record the names of pharaohs as well as mythology and hieroglyphic inscriptions. Today famous obelisks stand around the world. These ancient Egyptian architectural structures feature tall tapering rectangular columns topped with pyramids, constructed from a single piece of granite to worship the sun god Ra Symbols of power and victory during the Roman Empire obelisks associated with power and the gods the Bennu bird the origin of the phoenix legend communicating with the heavens.

Golden Age of Artistic Innovation

AbuSimbel 8/04/2569

The ancient Naqada Culture

AbuSimbel 7/30/2569

The ancient Naqada Culture

Nakada the most important prehistoric civilization in Upper Egypt is named after the city of Nakada formerly known as Nubt or City of Gold a center of wealth and strategic importance in ancient times. Nakada I is depicted in Lower Egyptian artifacts including pottery basalt jars and images of animals buried together in Nakada villages. Amulets human-shaped ornaments and symbols of animals among ancient deities as well as decorative pottery are found. Late Egyptian literature is dominated by various gods and demigods similar to the demigods in the mythology of the Egyptian pharaohs. Its historical origins are unclear and obscured in the cultural timeline.

This female doll dates back to the Naqada II period of ancient Egypt. approximately 3,500-3,400 BC and was unearthed in a tomb in El Ma'mariya in southern Egypt

The period marks the beginning of early life marked by artifacts such as sculptures religion culture vibrant murals illuminated pyramids the Nile Delta and Nile Valley trade with neighboring lands and ancient peoples with their own cultures of worship and rituals of Egyptian gods that formed the foundation of ancient civilization. Overall cultural diversity and coexistence facilitated development without the threat of war.

It evolved into another era around 3,400 BC. The unification of Upper and Lower Egypt gave rise to the First Dynasty around 3,100 BC the origin of pharaonic civilization centered in one of Upper Egypt's major cities. The final period of this culture Nakhada III is defined by the legendary King Narmer and the Nakada culture as a whole. The Nakada culture extended beyond pottery the massive mud brick structures of Abydos and Hierakonpolis gave rise to the architecture of the ancient pyramids and hieroglyphic writing.

The ruins of the Pyramid of Sahure are located in the Abusir archaeological site in Egypt. This structure was built as a tomb for Pharaoh Sahure the second king of the 5th Dynasty of ancient Egypt.

Although evidence of Nakada III's name and inscriptions are found at the archaeological site of Umm el-Gaab near Abydos this site predates the pyramids and was a functional burial site between 4,000 BC and 2,650 BC during the Nakada period and remains a subject of debate among archaeologists. Pharaoh Narmer remains a mystery despite the discovery of evidence and inscriptions bearing his name at the Umm el-Gaab site near Abydos.

The guardian goddess represents the protection of the Pharaoh

Amun 7/30/2569

The guardian goddess represents the protection of the Pharaoh

The two kingdoms of Buto and Edjo between about 3,400 BC and about 3,100 BC were independent in Egypt. The Red Land was located in the Nile Delta stretching south along the valley as far as Atfih with its capital at Pe near ancient Dep. Later called Buto now known as Tel el-Farain and another land Edjo the mound of the pharaoh with the inscription of Wadjet the supreme god of the kingdom the goddess of the cobra who protected the king and was worshiped in the kingdoms of Buto and Edjo the pharaoh king of the Red Land and the White Land in the Nile Valley in the temple wearing a red crown in both lands each land has a god goddess to protect the pharaoh

A portion of the Book of the Dead written on papyrus by Ubekhet and Tadimut in Deir el-Bahri Egypt dating back to approximately 1,000 BC during the 21st Dynasty is currently housed in the Egyptian Museum in Cairo.

The White Land stretched along the Nile Valley in the Southern Kingdom from Atfih to Gebel Essilsila at Neken later called Hierakonpolis near the present city of Edfu. The city was located on the western bank of the Nile. Excavations in 1897 found a sacrificial treasury or main treasury in the Neken Temple dating back to the early pharaonic period on the eastern bank opposite Neken el-Kab the center of vulture rituals. Nekhbet the patron goddess of the early kingdom was an important center. When archaeologist Quibell found the temple at Nekhbet and the sacrificial treasury he proved that the former southern capital of the White Land the center of vulture rituals Nekhbet and the pre-pharaonic kingdoms in both lands were true.

The magnificent frescoes and ceiling paintings inside the Mortuary Temple of Hatshepsut at Deir el-Bahari Egypt depict the goddess Nekhbet in the form of a vulture with outstretched wings and a row of cobras a symbol of protection for the pharaoh. The vibrant colors date back to the 18th Dynasty around 1,470 BC.

the goddess of the cobra of the two lands who together acted as patrons and protectors of ancient Egypt and meant the two dynasties of the pharaohs Menes used in the art and architecture of Edjo and Nekhbet double crown symbol of the south and north wearing both white and red crowns either worn separately or together as a pair the two kingdoms that were never forgotten by the unification making the two lands finally united. The ritual center of the patron goddess of the kingdom was the vulture Nekhbet from Quibell's discoveries in the Nechen and Necheb the treasury of the central ritual temple in the Nechen.

Cleopatra VII of the Ptolemaic dynasty of Egypt

Alexandria 7/30/2569

Cleopatra VII of the Ptolemaic dynasty of Egypt

Alexander the Great Conqueror of Macedonia 356-323 BC in the context of the development of the ideology of conquest of Egypt in the Mediterranean for over three centuries the Roman Emperor extended his power across almost all of the Mediterranean and northern Europe until the eventual fall of the Western Roman Empire. To preserve the long-standing rule of the ancient kingdom and as a key successor the conquest of Upper and Lower Egypt in 525 BC was a significant event. Some courageous pharaohs of ancient Egypt were able to seize some control of the Nile Valley until the spring of 522 BC when Cambices seized Cyrenaica an area on the eastern coast of Libya and left Egypt to quell a Persian rebellion.

A bas-relief depicting Cleopatra VII Philopator from the Temple of Dendera in Egypt portraying her as a representation of the earthly goddess Isis.

Under Cambices' departure to deal with the Persian rebellion Egypt was able to seize some control of Persian invasions in the Nile Valley for the next two centuries. The glorious history of Cleopatra VII of Alexandria in her unwavering dedication to ruling an ideal Egypt amidst great turmoil and the establishment of the Alexandria Empire by both of them through Macedonian ancestry is also noteworthy. Cleopatra VII the last emperor of the Ptolemaic dynasty.

A large serpent sculpture representing the Greek god Agathodaimon a patron deity wearing a double crown. Catacombs of Kom El Shoqafa Alexandria Egypt.

Besides Greek Cleopatra was the first to learn and speak ancient Egyptian a language tracing back to Ptolemy I Sother a close confidant and general of Alexander the Great who was of Greek descent. She founded Alexandria in Egypt a city that later became her capital and administrative center blending Macedonian culture with modern influences.

The catacombs of Kom el Shoqafa in Alexandria Egypt are an important archaeological site in Alexandria. These tunnels known as catacombs are dug deep into the sandstone mountain.

Cleopatra VII forged an alliance and relationship with Julius Caesar to help reclaim the Egyptian throne from internal conflicts following Caesar's assassination. Both politically and romantically she lost the war against Octavian the first Roman Emperor and adopted son of Caesar who rose to power after Caesar's assassination and defeated his political rivals in civil wars. After Cleopatra VII's death Egypt lost its independence and became a province under the direct control of the Roman emperor. Following the victory of Emperor Augustus Egypt became a crucial province of Rome and the port of Alexandria grew into one of the most important trading centers. of the Mediterranean world and the Roman Empire.